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Legendary Rock and Roll Pioneer Little Richard, Dies of Cancer at 87

Legendary singer, a-list celeb and instrumentalist Little Richard, whose high-voltage, keyboard-shattering R&B singles supplied lift-off for the ’50s rock ‘n’ roll revolution, has died at 87.

The award-winning musician, whose real name was Richard Penniman, was 87, although there are other sources stating that he was older. His death was confirmed by his son, Danny Jones Penniman, who told the New York Times the cause was cancer.

Richard’s manic 45s for Los Angeles indie label Specialty Records — “Tutti Frutti,” “Long Tall Sally,” “Rip It Up,” “Jenny Jenny,” “Keep A-Knockin’” and “Good Golly Miss Molly” — became major crossover hits in the pop sphere and influenced succeeding generations of rockers.

Pompadoured, mustachioed, slathered with pancake makeup and popping his mascara-painted eyes — “Ooh my soul, I’m the prettiest man in rock ‘n’ roll,” he declaimed — and graced with an ego as outsized as his personality and his voice, the daringly androgynous musician established himself as the wildest performer of his musical era.

Writer Nik Cohn captured Richard’s hyperkinetic style in his 1969 history “Rock From the Beginning,” which was fittingly retitled “Awopbopaloobop Alopbamboom” (the nonsensical kickoff line of “Tutti Frutti”) in its 1996 edition.

“He played piano,” Cohn wrote, “and he’d stand knock-kneed at the keyboard, hammering away with two hands as if he wanted to bust the thing apart. At climactic moments, he’d lift one leg and rest it on the keys, banging away with his heel, and his trouser rims would billow like kites.

“He’d scream and scream and scream. He had a freak voice, tireless, hysterical, completely indestructible, and he never in his life sang at anything lower than an enraged bull-like roar.”

Richard cut a dynamic figure with frenetic appearances in early big-screen opuses designed to cash in on the rock ‘n’ roll boom. He most famously made a splash in Frank Tashlin’s music-infused 1956 comedy “The Girl Can’t Help It,” which was acknowledged as a galvanizing influence by such future stars as John Lennon of the Beatles and Keith Richards of the Rolling Stones.

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